Nina Akkorde von
Peter Pringle
Peter Pringle
Drucken

N/A1 Aufrufe
Tonart: Bb major
Intro 1
F#
F#

D
D

F#
F#

Bm
Bm

B
B

C#
C#

F#
F#

G#m
G#m

B
B

C#
C#

F#
F#

Verse 1
F#
F#

Señorita Nina from Argentina,
all the answers
A#m
A#m

Though all her relatives and friends
C#
C#

were perfect dancers
She swore she'd never dance
F#
F#

a step until she died
A#m
A#m

F#
F#

She said, I've seen too many movies
and all they prove is too idiotic
A#m
A#m

They all insisted that South
C#
C#

America was exotic,
whereas it couldn't be more
F#
F#

boring if it tried.
Edim
Edim

D#
D#

A#
A#

G#
G#

She added firmly that she hated
the sound of soft guitars
A#m
A#m

D#
D#

beside a still moon.
F#
F#

B
B

And then she pos itively stated
A#
A#

that she could not abide a southern moon.
D#
D#

She said, I hate to be pedantic,
but I'm driven nearly frantic
C#
C#

B
B

when I see that unromantic,
A#
A#

sycophantic lot of sluts.
C#
C#

A#
A#

Forever wriggling their guts
C#
C#

A#m
A#m

A#
A#

Drives me absolutely nut s
B
B

A#
A#

F#
F#

She refused to
F#aug
F#aug

F#
F#

begin the begin
F#aug
F#aug

F#
F#

F#aug
F#aug

When they requested it
F#
F#

C#
C#

F#
F#

An d she made an
F#aug
F#aug

embarrassing scene
F#
F#

E
E

If anyone suggested it
D#
D#

E
E

D#
D#

G#
G#

C#
C#

For she detested it
F#
F#

Senorita Nina, from Argentina,
despised the tango
A#m
A#m

Although she never was
C#
C#

a girl to let a man go
She wouldn't sacrifice her
F#
F#

principals for sex
C#
C#

F#
F#

She'd look with scorn on the gyrations
of her relations
who danced the conga
A#m
A#m

And swore that if she had
C#
C#

to stand it any longer
She'd lose all dignity and
F#
F#

wring their silly
D#
D#

A#m
A#m

G#
G#

She said that, frankly, she was blinded
to all their over -advertised
A#m
A#m

D#
D#

ro mantic charms.
F#
F#

B
B

And then she got more bloody -minded
and told them where to put
D#m
D#m

B
B

A#
A#

Bm
Bm

their tropic palms.
A#
A#

She said with most refresh
A#m
A#m

D#m
D#m

ing candour
D#
D#

that she thought Carmen Miranda
C#
C#

was subversive propaganda
B
B

A#m
A#m

A#
A#

and should rapidly be shot.
C#
C#

A#
A#

And that she didn't care a jot
C#
C#

A#
A#

B
B

A#
A#

if people quoted her or not.
F#
F#

F#aug
F#aug

She declined to begin the begin,
F#
F#

F#aug
F#aug

F#
F#

F#aug
F#aug

though they besought her to.
F#
F#

C#
C#

F#
F#

An d with language pro
F#aug
F#aug

F#
F#

fane and obscene,
E
E

she cursed the man who taught her to.
D#
D#

E
E

D#
D#

G#
G#

She cursed Cole Porter to.
C#
C#

From this it's fairly clear
F#
F#

that Nina, in her demeanour,
was so offensive,
A#m
A#m

That when the hatred of her friends
C#
C#

grew too in tensive
She thought she'd better beat it
F#
F#

while she had the chance
Bm
Bm

F#
F#

After some trial and tribulation
She reached a station and met a sailor
A#m
A#m

Who had acquired a
C#
C#

wooden leg in Venezuela
And so she married him
F#
F#

because he couldn't dance
A#m
A#m

F#
F#

There surely never could
Bm
Bm

have been a
E
E

A
A

More irritating girl than Nina
F#
F#

Bm
Bm

They never speak in Argentina
C#
C#

Of this degenerate Pampina
C#
C#

Who had the luck to find romance
Bm
Bm

Bm
Bm

Then resolutely would
F#
F#

D
D

F#
F#

D
D

n't dance
She wouldn't dance, oh no!

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