Tonart: B major
Intro 1
C
D
C
Am
Em
C
D
C
Cm
Eb
D
C
Am
Eb
D
Cdim
Cm
Verse 1
D
C
Am
Em
D
C
Tracing oil trails and streaks of black,
Em
Eb
D
C
Am
Eb
serpentine, to certainties
D
C
that never leave you.
D
C
Am
Impact at the start of the escape,
D
C
Em
G
D
C
Am
Eb
far away, where no- one's
C
Verse 2
D
C
Em
D
C
Em
G
Eb
D
C
swallowing your heart.
Eb
D
swallowing your heart.
C
Verse 3
Am
Em
D
Betrayal's bible is handmade
C
Em
D
C
and heavyweight,
Am
Eb
D
and best of all it's open
G
ended.
C
Verse 4
D
C
Em
G
D
C
G
D
G
C
swallowing your heart.
Eb
D
C
swallowing your heart.
Verse 5
G
Why do you stay if nothings
Am
Eyewitness at the gate
F
G
Gsus4
the claim that faith is
G
F
not too far from fate.
the place you might be safe.
Eb
Verse 6
Dm
C
Am
Em
The weapon comes to cure the
D
C
Em
wound; it's overdue.
Eb
Dm
C
F
Eb
You keep the evid
D
C
D
and read the scraps like
Am
Em
D
C
clinging leaves of tea,
Eb
D
C
Am
Eb
but all I see is accidents,
C
Verse 7
D
C
Em
D
C
Em
Eb
D
G
C
swallowing your heart.
Eb
D
C
swallowing your heart.
Verse 8
G
Gsus4
Why do you stay if noth
G
F
ings left to save?
Am
Eyewitness at the gate
F
G
Gsus4
the claim that faith is
G
F
not too far from fate.
the place you might be safe.
Eb
Verse 9
G
Gsus4
Is this superstition the one
G
Gsus4
G
thing to add up?
F
Your trust that everything
Interlude 1
is evidence enough.
Eb
C
Bb
Dm
D
Ab
D
C
Verse 10
Am
Em
D
Betrayal's bible is handmade
C
Em
Eb
D
C
and heavyweight,
Am
Eb
D
and best of all it's open ended.
C
Interlude 2
G
Gsus4
G
F
Am
Eb
Verse 11
Am
Eyewitness at the gate
G
the claim that faith is not
the place you might be safe.
Eb
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