11 Minutes Akkorde von
Yungblud (Offizielle Version)

2019Alternative946 Aufrufe

Tonart: G# minorSchwierigkeit: Mittel

Intro 1

G#m

G#m/F#

Emaj7

Emaj7

F#

I'm 11 minutes a

Chorus 1

G#m

way,

B

and I have missed you all day

Emaj7

I'm 11 minutes away,

F#

so why aren't you here?

Verse 1
G#m G#m 
 
I think I missed you,
callin' on the other line
B B 
 
I'm just thinkin' all these thoughts
up in my mind
Emaj7 Emaj7 
 
Talkin' love,
but I can't even read the signs
F# F# 
 
I would sell my soul for a bit more time
G#m G#m 
 
You stain all on my body,
like you're red wine
B B 
 
You're the fuckin' acid to my alkaline
Emaj7 Emaj7 
 
You run your middle finger,
up and down my spine
F# F# 
 
I'm sorry there was no one to apologize

Verse 2
G#m G#m 
 
I'm   so fuckin' sorry, I'm so fuckin' sorry
B B 
 
I've been playing somebody,
and it's helping nobody
Emaj7 Emaj7 
 
And her lipstick arithmetic didn't stick
F# F# 
 
And now I'm sick, throwing fits
G#m G#m 
 
And yeah, I've seen  you in my head,
every fuckin' day since I left
B B 
 
You on the floor,
with your hands 'round your head
Emaj7 Emaj7 
 
And I'm down     and depressed
All I want is your head
on my chest touchin' feet
F# F# 
 
I'm 11 minutes a

Chorus 2
G#m G#m 
 
way,
B B 
 
and I have missed you all day
Emaj7 Emaj7 
 
I'm 11 minutes away,
so why aren't you here?
F# F# 
 
G#m G#m 
 
You're 11 minutes away,
B B 
 
and I have missed you all day
Emaj7 Emaj7 
 
You're 11 minutes away,
F# F# 
 
so why aren't you here?

Bridge 1
G#m G#m 
 
Tell me what you need,
B B 
 
I can make you more than what you are
Emaj7 Emaj7 
 
Come and lay the roses    on the floor,
F# F# 
 
every single Sunday, don't get bored
G#m G#m 
 
I just want to freeze,
B B 
 
I can give you more than what you are
Emaj7 Emaj7 
 
Now I see you standing all alone,
I never thought
F# F# 
 
the world would turn to  stone

Pre-chorus 1
G#m G#m 
 
So call me stu   pid, call me sad
B B 
 
You're the best I've ever had
Emaj7 Emaj7 
 
You're the worst    I've ever had
F# F# 
 
And that keeps fuckin' with my  head
G#m G#m 
 
Call me stu   pid, call me sad
B B 
 
You're the best I've ever had
Emaj7 Emaj7 
 
You're the worst    I've ever had
And that keeps fuckin' (with my head)
F# F# 
 
I'm 11 minutes a

Chorus 3
G#m G#m 
 
way,
B B 
 
and I have missed you all day
Emaj7 Emaj7 
 
I'm 11 minutes away,
so why aren't you here?
F# F# 
 
G#m G#m 
 
You're 11 minutes away,
B B 
 
and I have missed you all day
Emaj7 Emaj7 
 
You're 11 minutes away,
F# F# 
 
so why aren't you here?

Pre-chorus 2
G#m G#m 
 
So call me stu   pid, call me sad
B B 
 
You're the best I've ever had
Emaj7 Emaj7 
 
You're the worst    I've ever had
F# F# 
 
And that keeps fuckin' with my  head
G#m G#m 
 
Call me stu   pid, call me sad
B B 
 
You're the best I've ever had
Emaj7 Emaj7 
 
You're the worst    I've ever had

Outro 1
(And that keeps fuckin' with my head)
G#m G#m 
 
G#m/F# G#m/F# 
 
You're 11 minutes away,
Emaj7 Emaj7 
 
and I have missed you all      day
F# F# 
 
So why aren't you here?
G#m G#m 
 
Why aren't you here?
G#m/F# G#m/F# 
 
Why aren't you here?
Emaj7 Emaj7 
 
G#m G#m 
 
Why aren't you here?

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TunerE A D G B E

Akkorde & SongtexteG#m G#m/F# Emaj7 F# B

Akkorde & Songtexte

G#m
G#m/F#
Emaj7
F#
B

Fingerpositionen von tief nach hoch (E A D G B e). 0 steht für leer, x für gedämpft.

G#m: 4-6-6-4-4-4
G#m/F#: x-x-4-4-4-4
Emaj7: x-x-2-4-4-4
F#: 2-4-4-3-2-2
B: x-2-4-4-4-x

Capo: Kein Capo

Transponieren: 0

0

Sorgfältig transkribiert vom GuitarTuna-Team.

Barré-Akkorde verlangen der Greifhand viel ab. Der Barré-Kurs führt durch Handhaltung, Druck und die sauberste Art, jeden Griff zu greifen. Barré-Akkorde üben

Die meisten Probleme beim Akkordwechsel kommen von der Schlaghand, nicht von der Greifhand. Der grundlegende Strumming-Kurs behandelt die Schlagmuster und das Timing, die jede Akkordfolge leichter spielbar machen. Grundlegendes Strumming üben

Dies ist die maßgebliche Originalversion von 11 Minutes von YUNGBLUD, exakt so transkribiert, wie sie im Studio aufgenommen wurde. Im Gegensatz zu unserem vereinfachten Arrangement bewahrt dieses Sheet die präzisen Akkordvoicings und -progressionen in der Originaltonart G# minor. Sie ist für Gitarristen konzipiert, die über die Grundlagen hinausgehen und das echte Gefühl von YUNGBLUDs Performance einfangen wollen.

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