Matilda Akkorde von
Harry Styles (Offizielle Version)

2022Pop10.2K Aufrufe

Tonart: D majorSchwierigkeit: Fortgeschritten

Intro 1

Dmaj7

Gsus2

D/A

Gsus2

Dmaj7

Gsus2

D/A

Gsus2

Verse 1
D D 
 
Gmaj7 Gmaj7 
 
You were ridin' your bike     to the sound of
D/A D/A 
 
Gmaj7 Gmaj7 
 
'It's No    Big Deal'
D D 
 
Gmaj7 Gmaj7 
 
And you're tryin' to lift     off the ground
D/A D/A 
 
Gmaj7 Gmaj7 
 
on those old   two wheels
D D 
 
Gmaj7 Gmaj7 
 
Nothin' 'bout the way that you were treated
ever seemed especially
D/A D/A 
 
Gmaj7 Gmaj7 
 
alarming 'til now
D D 
 
Gmaj7 Gmaj7 
 
So you tie up your hair     and you smile
D/A D/A 
 
Gmaj7 Gmaj7 
 
like it's no    big deal

Chorus 1
D D 
 
You can let it go
Gmaj7 Gmaj7 
 
You      can throw a party
D/A D/A 
 
full of everyone you know
Gmaj7 Gmaj7 
 
And not      invite your family
D D 
 
'cause they never showed you love
Gmaj7 Gmaj7 
 
You don't    have to be sorry
Bm Bm 
 
Gmaj7 Gmaj7 
 
for leavin' and growin' up,      mm
Dmaj7 Dmaj7 
 
Gsus2 Gsus2 
 
D/A D/A 
 
Gsus2 Gsus2 
 

Verse 2
D D 
 
Gmaj7 Gmaj7 
 
Matilda, you talk     of the pain
D/A D/A 
 
Gmaj7 Gmaj7 
 
like it's all   alright
D D 
 
Gmaj7 Gmaj7 
 
But I know that you feel
D/A D/A 
 
Gmaj7 Gmaj7 
 
like a piece of you's dead  inside
D D 
 
You showed me a power
Gmaj7 Gmaj7 
 
that is strong   enough to bring sun
D/A D/A 
 
Gmaj7 Gmaj7 
 
to the darkest days
D D 
 
Gmaj7 Gmaj7 
 
It's none of my business
D/A D/A 
 
Gmaj7 Gmaj7 
 
but it's just been on    my mind

Chorus 2
D D 
 
You can let it go
Gmaj7 Gmaj7 
 
You      can throw a party
D/A D/A 
 
full of everyone you know
Gmaj7 Gmaj7 
 
And not      invite your family
D D 
 
'cause they never showed you love
Gmaj7 Gmaj7 
 
You don't    have to be sorry
Bm Bm 
 
Gmaj7 Gmaj7 
 
for leavin' and growin' up
D D 
 
You can see the world
Gmaj7 Gmaj7 
 
D/A D/A 
 
Followin' the seasons anywhere you go
Gmaj7 Gmaj7 
 
You      don't need a reason
D D 
 
'cause they never showed you love
Gmaj7 Gmaj7 
 
You don't    have to be sorry
Bm Bm 
 
Gmaj7 Gmaj7 
 
for doin' it on your own

Bridge 1
Gmaj7 Gmaj7 
 
You're just in time,
D D 
 
make your tea and your toast
Gmaj7 Gmaj7 
 
You framed all your posters
D D 
 
and dyed your clothes, ooh
F#m7 F#m7 
 
You don't have   to go,
Em9 Em9 
 
you don't have  to go home
D D 
 
F#m7 F#m7 
 
G G 
 
Oh, there's a long way    to go
D D 
 
I don't believe that time
F#m7 F#m7 
 
G G 
 
will change your mind
D D 
 
In other words, I know
F#7 F#7 
 
G G 
 
they won't hurt you anymore
E E 
 
D D 
 
F#m7 F#m7 
 
G G 
 
As long as you can let    them go

Chorus 3
Gmaj7 Gmaj7 
 
You      can let it go
You can throw a party
D D 
 
full of everyone you know
F#m7 F#m7 
 
You    can start a family
Gmaj7 Gmaj7 
 
who will always   show you love
You don't have to be sorry
D D 
 
F#m7 F#m7 
 
for doin' it on your own
Gmaj7 Gmaj7 
 
You      can let it go
You can throw a party
D D 
 
full of everyone you know
F#m7 F#m7 
 
You    can start a family
Gmaj7 Gmaj7 
 
who will always   show you love
F#m7 F#m7 
 
Em9 Em9 
 
You don't  have to be sorry, no

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TunerE A D G B E

Akkorde & SongtexteDmaj7 Gsus2 D/A D Gmaj7...

Akkorde & Songtexte

Dmaj7
Gsus2
D/A
D
Gmaj7
Bm
F#m7
Em9
G
F#7
E

Fingerpositionen von tief nach hoch (E A D G B e). 0 steht für leer, x für gedämpft.

Dmaj7: x-x-0-2-2-2
Gsus2: 3-x-0-2-3-3
D/A: x-0-4-2-3-x
D: x-x-0-2-3-2
Gmaj7: 3-x-0-0-0-2
Bm: x-2-4-4-3-x
F#m7: 2-4-2-2-2-2
Em9: 0-2-0-0-0-2
G: 3-2-0-0-0-3
F#7: 2-4-2-3-2-2
E: 0-2-2-1-0-0

Capo: Kein Capo

Transponieren: 0

0

Sorgfältig transkribiert vom GuitarTuna-Team.

Barré-Akkorde verlangen der Greifhand viel ab. Der Barré-Kurs führt durch Handhaltung, Druck und die sauberste Art, jeden Griff zu greifen. Barré-Akkorde üben

Mollseptakkorde liegen im Gefühl zwischen Moll und Dur. Der Kurs behandelt die Griffbilder und die Songs, in denen sie am häufigsten vorkommen. Mollseptakkorde lernen

Dies ist die maßgebliche Originalversion von Matilda von Harry Styles, exakt so transkribiert, wie sie im Studio aufgenommen wurde. Im Gegensatz zu unserem vereinfachten Arrangement bewahrt dieses Sheet die präzisen Akkordvoicings und -progressionen in der Originaltonart D major. Sie ist für erfahrene Spieler gedacht, die die volle klangliche Intention und künstlerische Ausdruckskraft von Harry Styles wiedergeben möchten.

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