Morph Akkorde von
Twenty One Pilots (Offizielle Version)
Drucken

2018Alternative560 Aufrufe

Tonart: C# minorSchwierigkeit: Fortgeschritten

Intro 1

C#m

F#m

C#m

F#m

C#m

F#m

C#m

C#m7

C#m

F#m

C#m

F#m

C#m

F#m

C#m

C#m7

Verse 1
C#m C#m 
 
Can't stop thinking about if and when I'd die
For now I see that "if" and "when"
are truly different cries
C#m C#m 
 
For "if"  is purely panic
and "when" is solemn sorrow
And one invades today
while the other spies tomorrow
C#m C#m 
 
F#m F#m 
 
We're surrounded and we're hounded
C#m C#m 
 
F#m F#m 
 
There's no    "above", or "under", or "around" it
C#m C#m 
 
For "above" is blind belief
F#m F#m 
 
and "under" is sword to sleeve
C#m9 C#m9 
 
And "around" is scientific miracle,
let's pick "above" and see
C#m C#m 
 
For if    and when we go "above",
F#m F#m 
 
the question still remains
C#m C#m 
 
Are we still in love
F#m F#m 
 
and is it possible   we feel the same?
C#m C#m 
 
And that's when going "under"
F#m F#m 
 
starts to take  my wonder
C#m9 C#m9 
 
But until    that time, I'll try to sing this

Chorus 1
Emaj7 Emaj7 
 
C#m7 C#m7 
 
If I keep moving, they won't know
G#m G#m 
 
I'll morph to someone else
F#add9 F#add9 
 
What they throw at me's too slow
Emaj7 Emaj7 
 
I'll morph to someone else
C#m7 C#m7 
 
I'm just a ghost
G#m G#m 
 
I'll morph to someone else
F#add9 F#add9 
 
Defense mechanism mode

Verse 2
C#m C#m 
 
He'll always try to stop me,
F#m F#m 
 
that Nicholas Bourbaki
C#m C#m 
 
He's got   no friends close
B/C# B/C# 
 
but those  who know him most know
C#m C#m 
 
B/C# B/C# 
 
He    goes by Nico, he     told me I'm a copy
C#m9 C#m9 
 
When I'd hear   him mock me
that's almost stopped me
C#m C#m 
 
F#m F#m 
 
Well we're surrounded and we're hounded
C#m C#m 
 
F#m F#m 
 
There's no    above or a secret door
What are we here for?
C#m C#m 
 
If not   to run straight
F#m F#m 
 
through all   our tormentors?
C#m9 C#m9 
 
But until    that time I'll try and sing this

Chorus 2
Emaj7 Emaj7 
 
C#m7 C#m7 
 
If I keep moving, they won't know
G#m G#m 
 
I'll morph to someone else
F#add9 F#add9 
 
What they throw at me's too slow
Emaj7 Emaj7 
 
I'll morph to someone else
C#m7 C#m7 
 
I'm just a ghost
G#m G#m 
 
I'll morph to someone else
F#add9 F#add9 
 
Defense mechanism mode

Interlude 1

C#m

F#m

C#m

F#m

C#m

F#m

I'll morph to someone else

C#m

Dmaj7

Verse 3
C#m C#m 
 
Lights they blink to me,
F#m F#m 
 
transmitting things to me
C#m C#m 
 
F#m F#m 
 
Ones  and zeroes, er    go this symphony
C#m C#m 
 
F#m F#m 
 
Anybody listening? Ones and zeroes
C#m C#m 
 
D#m7b5 D#m7b5 
 
Count to infinity, ones      and zeroes
C#m C#m 
 
F#m F#m 
 
I'm surrounded, and I'm hounded
C#m C#m 
 
F#m F#m 
 
There's no    "above", or "under", or "around" it
C#m C#m 
 
For "above" is blind belief
F#m F#m 
 
and "under" is sword to sleeve
C#m C#m 
 
D#m7b5 D#m7b5 
 
And "around" is scientific miracle,
let's pick "above" and see

Bridge 1
Emaj7 Emaj7 
 
For if       and when we go "above",
the question still remains
C#m7 C#m7 
 
Are we still  in love
and is it possible we feel the same?
G#m G#m 
 
And that's when going "under"
starts to take my wonder
F# F# 
 
But until that time
Emaj7 Emaj7 
 
I'll morph to someone else
C#m7 C#m7 
 
G#m G#m 
 
F# F# 
 
I'm just a ghost

Chorus 3
Emaj7 Emaj7 
 
C#m7 C#m7 
 
If I keep moving, they won't know
G#m G#m 
 
I'll morph to someone else
F#add9 F#add9 
 
What they throw at me's too slow
Emaj7 Emaj7 
 
I'll morph to someone else
C#m7 C#m7 
 
I'm just a ghost
G#m G#m 
 
I'll morph to someone else
F#add9 F#add9 
 
Defense mechanism mode

Chorus 4

Emaj7

C#m7

G#m

F#add9

Emaj7

C#m7

If I keep moving, they won't know

G#m

I'll morph to someone else

F#add9

Defense mechanism mode

Outro 1
I'll morph to someone
C#m C#m 
 
F#m F#m 
 
C#m C#m 
 
F#m F#m 
 
(else) Not done, not done,
C#m C#m 
 
F#m F#m 
 
not done
C#m C#m 
 
C#m7 C#m7 
 
Josh Dun
C#m C#m 
 
F#m F#m 
 
C#m C#m 
 
F#m F#m 
 
C#m C#m 
 
F#m F#m 
 
C#m9 C#m9 
 
C#m C#m 
 
F#m F#m 
 
C#m C#m 
 
F#m F#m 
 
C#m C#m 
 
F#m F#m 
 
C#m9 C#m9 
 
C#m C#m 
 
F#m F#m 
 
I'll morph to someone else
C#m C#m 
 
F#m F#m 
 
C#m C#m 
 
F#m F#m 
 
B6 B6

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5.0 (1)

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TunerE A D G B E

Akkorde & SongtexteC#m F#m C#m7 C#m9 Emaj7...

Akkorde & Songtexte

C#m
F#m
C#m7
C#m9
Emaj7
G#m
F#add9
B/C#
Dmaj7
D#m7b5
F#
B6

Fingerpositionen von tief nach hoch (E A D G B e). 0 steht für leer, x für gedämpft.

C#m: x-4-6-6-5-x
F#m: 2-4-4-2-2-2
C#m7: x-4-6-4-5-x
C#m9: x-4-2-4-4-x
Emaj7: x-x-2-4-4-4
G#m: 4-6-6-4-4-4
F#add9: x-x-4-3-2-4
B/C#: x-4-x-4-4-2
Dmaj7: x-x-0-2-2-2
D#m7b5: x-x-1-2-2-2
F#: 2-4-4-3-2-2
B6: 7-x-6-8-7-x

Capo: Kein Capo

Transponieren: 0

0

Sorgfältig transkribiert vom GuitarTuna-Team.

Barré-Akkorde verlangen der Greifhand viel ab. Der Barré-Kurs führt durch Handhaltung, Druck und die sauberste Art, jeden Griff zu greifen. Barré-Akkorde üben

Mollseptakkorde liegen im Gefühl zwischen Moll und Dur. Der Kurs behandelt die Griffbilder und die Songs, in denen sie am häufigsten vorkommen. Mollseptakkorde lernen

Dies ist die maßgebliche Originalversion von Morph von Twenty One Pilots, exakt so transkribiert, wie sie im Studio aufgenommen wurde. Im Gegensatz zu unserem vereinfachten Arrangement bewahrt dieses Sheet die präzisen Akkordvoicings und -progressionen in der Originaltonart C# minor. Sie ist für erfahrene Spieler gedacht, die die volle klangliche Intention und künstlerische Ausdruckskraft von Twenty One Pilots wiedergeben möchten.

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