What It's Like Akkorde von
Everlast (Offizielle Version)

1998Hip-Hop5.1K Aufrufe

Tonart: D minorSchwierigkeit: Einfach

Intro 1

Dsus4

Dm

Fmaj7

C

Dsus4

Dm

Fmaj7

C

Dsus4

Dm

Fmaj7

C

Dsus4

Dm

Fmaj7

C

Verse 1
Dm Dm 
 
Fmaj7 Fmaj7 
 
C C 
 
We've all seen a man      at the liquor store
Dm Dm 
 
beggin' for your change
Fmaj7 Fmaj7 
 
The hair on his face     is dirty,
C C 
 
Dm Dm 
 
dread- locked, and full of mange
Fmaj7 Fmaj7 
 
C C 
 
He asks a man      for what he could spare,
Dm Dm 
 
with shame in his eyes
Fmaj7 Fmaj7 
 
C C 
 
"Get a job      you fucking slob",
Dm Dm 
 
is all he replies
Fmaj7 Fmaj7 
 
C C 
 
God forbid      you ever had to walk
Dm Dm 
 
a mile in his shoes
Fmaj7 Fmaj7 
 
'Cause then you really might    know
C C 
 
Dm Dm 
 
what it's like to sing the blues

Chorus 1
Dm Dm 
 
Fmaj7 Fmaj7 
 
Then you really        might know
C C 
 
Dm Dm 
 
what it's like
Fmaj7 Fmaj7 
 
C C 
 
Dm Dm 
 
Then you really        might know what it's like
Fmaj7 Fmaj7 
 
C C 
 
Dm Dm 
 
Then you really        might know what it's like
Fmaj7 Fmaj7 
 
C C 
 
Then you really        might know what it's like

Interlude 1

Dm

Em/D

Dm

Em/D

Dm

Em/D

Dm

Verse 2
Dm Dm 
 
Fmaj7 Fmaj7 
 
Mary got pregnant
C C 
 
from a kid named Tom
Dm Dm 
 
that said he was in love
Fmaj7 Fmaj7 
 
He said, "Don't worry 'bout a thing,   baby doll
C C 
 
Dm Dm 
 
I'm the man you've been dreaming of"
Fmaj7 Fmaj7 
 
But three months later
C C 
 
Dm Dm 
 
he say he won't date her or return her calls
Fmaj7 Fmaj7 
 
C C 
 
And she swear, "Goddamn,    if I find that man
Dm Dm 
 
I'm cuttin' off his balls"
Fmaj7 Fmaj7 
 
And then she heads for the clinic
C C 
 
and she gets some static
Dm Dm 
 
walking through the door
Fmaj7 Fmaj7 
 
They call her a killer,
C C 
 
and they call her a sinner
Dm Dm 
 
and they call her a whore
Fmaj7 Fmaj7 
 
C C 
 
God forbid      you ever had to walk
Dm Dm 
 
a mile in her shoes
Fmaj7 Fmaj7 
 
'Cause then you really might    know
C C 
 
Dm Dm 
 
what it's like to have to choose

Chorus 2
Dm Dm 
 
Fmaj7 Fmaj7 
 
Then you really        might know
C C 
 
Dm Dm 
 
what it's like
Fmaj7 Fmaj7 
 
C C 
 
Dm Dm 
 
Then you really        might know what it's like
Fmaj7 Fmaj7 
 
C C 
 
Dm Dm 
 
Then you really        might know what it's like
Fmaj7 Fmaj7 
 
C C 
 
Then you really        might know what it's like

Bridge 1
Dsus4 Dsus4 
 
I've seen a rich man beg
Dm Dm 
 
Fmaj7 Fmaj7 
 
I've seen a good man sin
C C 
 
I've seen a tough man cry
Dsus4 Dsus4 
 
I've seen a loser win
Dm Dm 
 
Fmaj7 Fmaj7 
 
And a sad man grin
C C 
 
I heard an honest man lie
Dsus4 Dsus4 
 
(uh)     I've seen the good side of bad
Dm Dm 
 
Fmaj7 Fmaj7 
 
And the downside of up
C C 
 
And everything between
Dsus4 Dsus4 
 
I licked the silver spoon
Dm Dm 
 
Fmaj7 Fmaj7 
 
Drank from the golden cup
C C 
 
And smoked the finest green
Dsus4 Dsus4 
 
I stroked the fattest dimes
Dm Dm 
 
Fmaj7 Fmaj7 
 
at least a couple of times
C C 
 
Before I broke their heart
Dsus4 Dsus4 
 
You know where it ends,
Dm Dm 
 
Fmaj7 Fmaj7 
 
C C 
 
yo, it usually depends    on where you start

Interlude 2

Dm

Em/D

Dm

Em/D

Dm

Em/D

Dm

Verse 3
Dm Dm 
 
Fmaj7 Fmaj7 
 
I knew this kid named Max
C C 
 
Who used to get fat stacks
Dm Dm 
 
out on the corner with drugs
Fmaj7 Fmaj7 
 
He liked to hang out late
C C 
 
He liked to get shit- faced
Dm Dm 
 
and keep the pace with thugs
Fmaj7 Fmaj7 
 
C C 
 
Until late one night,   there was a big gunfight
Dm Dm 
 
and Max lost his head
Fmaj7 Fmaj7 
 
He pulled out his chrome   .45,
C C 
 
Dm Dm 
 
talked some shit, and wound up dead
Fmaj7 Fmaj7 
 
Now his wife and his kids
C C 
 
are caught in the midst
Dm Dm 
 
of all of this pain
Fmaj7 Fmaj7 
 
You know it comes that way,
C C 
 
at least that's what they say
Dm Dm 
 
when you play the game
Fmaj7 Fmaj7 
 
God forbid      you ever had to
C C 
 
Dm Dm 
 
wake up to hear the news
Fmaj7 Fmaj7 
 
'Cause then you really might    know
C C 
 
Dm Dm 
 
what it's like to have to lose

Chorus 3

Dm

Fmaj7

Then you really might know

C

Dm

what it's like

Fmaj7

C

Dm

Then you really might know what it's like

Fmaj7

C

Then you really might know what it's like

Outro 1

To have to lose

Dm

Fmaj7

C

Dm

Dm

Fmaj7

C

Dm

[Repeat and fade]

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TunerE A D G B E

Akkorde & SongtexteDsus4 Dm Fmaj7 C Em/D

Akkorde & Songtexte

Dsus4
Dm
Fmaj7
C
Em/D

Fingerpositionen von tief nach hoch (E A D G B e). 0 steht für leer, x für gedämpft.

Dsus4: x-x-0-2-3-3
Dm: x-x-0-2-3-1
Fmaj7: x-x-3-2-1-0
C: x-3-2-0-1-0
Em/D: x-x-0-0-0-0

Capo: Kein Capo

Transponieren: 0

0

Sorgfältig transkribiert vom GuitarTuna-Team.

Sus2- und Sus4-Akkorde ersetzen die Terz eines Akkords durch die Sekunde bzw. Quarte. Der Sus-Kurs behandelt die Griffbilder und wie man sie in eine Akkordfolge einbaut. Sus-Akkorde üben

Die meisten Probleme beim Akkordwechsel kommen von der Schlaghand, nicht von der Greifhand. Der grundlegende Strumming-Kurs behandelt die Schlagmuster und das Timing, die jede Akkordfolge leichter spielbar machen. Grundlegendes Strumming üben

Dies ist die maßgebliche Originalversion von What It's Like von Everlast, exakt so transkribiert, wie sie im Studio aufgenommen wurde. Im Gegensatz zu unserem vereinfachten Arrangement bewahrt dieses Sheet die präzisen Akkordvoicings und -progressionen in der Originaltonart D minor. Sie eignet sich für Spieler, die What It's Like so lernen möchten, wie Everlast es beabsichtigt hat, ohne das Arrangement zu stark zu vereinfachen.

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