Come Dancing Akkorde von
Ray Davies
Ray Davies

N/A
Tonart: A minor
Verse 1
Am
Am

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brings up Come Dancing,
you know, later on.
Was that something that you wrote?
Because I heard that was
written
with your sister in mind.
G#
G#

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It's another sister, the bullying,
Am
Am

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F
F

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Jane Fonda -ish sister.
Bb
Bb

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She's a real bitch.
Am
Am

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There's sometimes a sister,
but she's a very, don't
say that.
Bbm
Bbm

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Cut that out. It's just a...
Am
Am

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The bully or the bitch part? Both.
We couldn't use his name.
This is the other sister, Gwen,
who's about seven or eight
F#
F#

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years older than I.
F#
F#

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And she used to go dancing
at a local,
La Cana it was called I think,
F#
F#

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and she showed me a snapshot
of her and her now husband dancing,
and the whole idea for the song
F#
F#

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Come Dancing
came from that photo
graph.
That's how I write a lot of songs,
F#
F#

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I get an image, a visual image,
A#
A#

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then it translates into music.
B
B

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So I wrote that about Gwen
and her husband Brian,
Am
Am

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A#
A#

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who is still alive.
Am
Am

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in fact, aggravation came about
as watching Brian driving to
work on the North Circular.
E#
E#

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went in the car with him one day,
F#
F#

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Am
Am

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and him ranting and raving about the
world
G#
G#

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Am
Am

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gave me the idea to write
the song.
Am
Am

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So it's still kind of, yeah.
Interesting ways, I mean,
where you can get ideas for songs,
it's just not one way, I mean.
Yeah, and obviously the line,
B
B

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the first line of the song was down,
Am
Am

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I heard down Columbus Avenue.
The guy, you know people
A#
A#

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shout on the street corner,
this guy was shouting out,
F#
F#

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Who needs it, man?
Am
Am

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You know, who needs
it? Who needs what?
He just pissed off at the world.
He was just annoyed with the world
C
C

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and he was shouting out,
Who needs it? Who needs it?
A#
A#

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And that's how aggravation starts.
That's wild. Yeah,
B
B

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so I get these snippets from reality
A
A

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Am
Am

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F#
F#

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and turn them into my own drama.

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TunerE A D G B E
Akkorde & SongtexteAm G# F Bb Bbm...