Tonart: G major•
Intro 1
G
F
C
G
C
G
C
G
C
G
C
G
Verse 1
G
Under
C
G
the intense scrutiny of Ligeia's eyes
C
G
I have felt the full knowledge
C
G
C
G
And force of their expression
C
And have felt it leave me
G
C
As so many other things have left
G
C
The letter half read
G
C
The bottle half drunk
G
C
Finding
G
Finding in the commonest
objects of the universe
C
G
C
G
C
F
A circle of analogies
C
G
Of metaphors
G
C
For that expression
Which has been willfully
G
C
Withheld from me
G
C
F
C
G
The access to the inner soul denied
Verse 2
G
C
I want to know, ooohhh
G
C
F
C
G
I want to know
G
C
F
C
G
I want to know
C
In consideration
Verse 3
C
G
In consideration of the faculties
C
G
C
and impulses
G
C
Of the human soul
F
Em
G
Of the hu man soul
C
In consideration
F
C
G
Our radical, primitive irreducible
arrogance of reason
We have all overlooked the
C
G
C
F
Em
G
propensity
G
The paradoxical something which
C
F
we may call perverseness
G
C
G
C
Through its promptings we
G
act without
C
F
Comprehensible object
C
G
C
G
C
We act for the reason we should not
G
We act for the reason we should not
C
F
For certain minds this is abso
C
G
lutely irre- , irre-
Irresistible
C
Irresistible
G
C
The conviction of the wrong
F
C
G
Or im policy of an action
C
Is often the un conquerable force
G
The unconquerable force
C
F
C
G
It is a primitive impulse
F
G
C
It is a primitive impulse
C
F
C
The overwhelming tendency
G
The overwhelming tendency
C
F
C
to do
F
G
C
Wrong for the wrong's sake
F
C
G
To do wrong for the wrong's sake
F
G
We persist in acts
C
F
Because we feel that we
G
C
Should not persist in them
Because we feel we, feel we
C
per- , persist in them, ah
F
C
F
Ooohhh
Verse 4
to know
C
F
C
I want to know
G
C
I want to know
I want to know
Verse 5
want to know
C
F
Em
G
C
F
C
G
C
G
C
G
C
F
C
I want to, I
G
C
Ooohhh, we persist in action
C
F
Em
G
Wrong, wrong, wrong, wrong
C
G
Ooohhh
C
F
Wrong, wrong
C
G
Oh we persist in action
When you know that it's wrong
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