Tonart: D minor•
Intro 1
Dm
F
Bb
F
Verse 1
Bb
holes of the well- to- do
F
I detect a resistance to
Precisely
Bb
F
Our heroine's style
We're glad you noticed
Gm
Bb
The shooting
Verse 2
Bb
Gm
the upper- class
Give her an inch
F
Aren't supporting a single ass
Bb
F
That would rise for the girl
She'll take a mile
Verse 3
Dm
Such a shame she wandered
Dm
How unfortunate this person
F
has forced us to be blunt
Am
seeing her at Harrod's
Bb
But behind the jewelry counter,
not in front
F
Verse 4
F
Bb
Could there be in our fighting corps
F
Bb
A lack of enthusiasm for
Verse 5
F
Bb
Should you wish to cause great distress
F
Bb
In the tidiest officer's mess
That isn't funny
Verse 6
breaking every taboo
E
D
E
Installing a girl in the army H.Q.
Dm
And she's an actress, the last straw
Her only good parts are
between her thighs
E
D
She should stare at the ceiling,
E
Dm
not reach for the skies
Or she could be his last whore
Verse 7
C
G
Gm
The evidence suggests
G
F
Bb
F
She has other interests
C
Gm
Bb
If it's her who's using him
Gm
Bb
He's exceptionally dim
Bb
Dm
D
Dm
Bitch! Dangerous Jade
Verse 8
Bb
F
Dm
We have allowed ourselves to slip
Bb
Dm
We have completely lost our grip
Bb
Dm
Bb
Dm
We have declined to an all- time low
Bb
Dm
Tarts have become the set to know
Verse 9
only a radio star with just
one weekly show
But speaking as one of the people
I want you to know
D
E
We are tired of the decline of Argentina
G
A
With no sign of a government able to
Dm
B
give us the things we deserve
Verse 10
no crime for officers
to do as they please
E
D
As long as they're discreet
Dm
and keep clear of disease
We ignore, we disregard
But once they allow a bit on the side
E
D
To move to the center where
E
Dm
she's not qualified
We are forced to mark his card
Verse 11
C
Gm
She should get into her head
Dm
G
F
Dm
She should not get out of bed
Gm
Dm
Gm
she's not paid
F
To be loud but to be laid
Dm
D
Dm
Slut! Dangerous Jade
Verse 12
Gm
Dm
Eb
This has really been your year, Miss Duarte
Bb
Gm
D
Gm
Tell us where you go from here,
Miss Duarte
Cm
C
D
Which are the roles that
D
G
Whom did you sleep,
G
D
Acting
Verse 13
D
G
the line's not mine
D
G
D
That's no help to the Argentine
Verse 14
G
Dm
Can we assume then that you'll quit?
D
Dm
Is this because of your involvement
Verse 15
with Colonel Peron?
Dm
Gm
Dm
Goodnight and thank you
She won't be kept happy by
her nights on the tiles
D
She says it's his body,
Dm
but she's after his files
So get back on to the street
Verse 16
C
She should get into her head
G
F
She should not get out of bed
C
She should know that she's not paid
Gm
To be loud but to be laid
G
She has other interests
C
If it's her who's using him
Gm
He's exceptionally dim
Verse 17
Things have reached a pretty pass
When someone pretty lower- class
Graceless and vulgar, uninspired
Can be accepted and admired
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